The Hermit
I feel a great affinity with the Hermit. I chose the name
the Moonlit Hermit with this card specifically in mind. There really was not
much to report as far as my informal working with him went. I carried his card
around and I had the card as the image on the home screen of my phone. I did
have some bouts of nostalgia and thoughts of the past that I attribute to the
Hermit.
So I sat with the Hermit one afternoon when I had some time
to myself. I called to him in the standard fashion that I’ve been using for all
the previous cards. “I call to you. Come to me, speak to me, share with me your
wisdom and show me your forms.” After a bit of quiet contemplation and calling I
had more thoughts of the past and the future come into my mind and then I felt
a breeze gently pass across my lips and face. I took this as the sign of his
arrival.
I asked “how can I use your energy in my life?” He points to
the inside of his cloak which starts to glow. He says, “concealment.” Then he
does this thing where he opens and closes his mouth as if to speak then thinking
better of it says nothing. He does this a few times.
I ask, “what are the lessons you can teach me?” In response
his staff becomes Prometheus’s reed in which he hid the divine spark of heaven.
The Hermit protects the burning ember in the end of his staff from the wind
using his cloak. He tells me he is a coconspirator with Prometheus. As he does
so his face takes on a friendly but serious expression.
I ask, “what is in your lantern?” He says, “pathways,” and I
see that the inside of his lantern resembles a small, round room with doors all
around.
I ask, “are you traveling or are you still?” He says, “I
have paused at the crossroads, assessing.” At this a thrill runs across my
scalp, standing the hairs. I didn’t feel frightened but this kind of physical
sensation comes up now and then in this kind of work.
I ask, “what do you watch for?” He looks up and says, “shadows
from above.” Then I ask him, “what else?” He responds with, “the cat on silent
feet. The cat of oblivion,” and I get an impression of a predator just out of
sight in a dark forest.
Then the Hermit smiles broadly, a wide, toothy grin. I ask, “why
are you smiling?” and he says, “because I’m having a good time.” I think to myself, this is going
well and I want to keep it going.
I ask, “what is your challenge?” He puts his hand to his
forehead and says, “thinking clearly, discerning correctly.” Then a frightened
look comes over his face as he seems to fade slightly as if he is descending
backward down a hole into darkness. He says, “I fear I don’t really exist.” I
assure him he exists, at least he does for me. He smiles.
I ask him, “is there a light in your lantern?” At this he
scoffs and says, “yes,” and he laughs as at a joke.
I ask, “how can I use your lantern?” At this I see horns
appear on his head, his eyes widen and he purses his lips as if to whistle or
say “ooooooo” but no sound comes out. Then his eyes split to appear that 4 are
on his face and he says, “calling; seeing two worlds at once.” Then the horns
transform to resemble two rearing snakes on either side of his head, facing
each other, like ureaus.
I ask, “when do you put up your hood?” And he says, “when I
feel old and tired. Or when it rains.” And he laughs again.
Then my phone rings, breaking my concentration. I give the
license to depart and close the session. He laughs again and takes his leave.
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